Dominance and Submission

Money Actually Talks To You (An Essay)

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Every dollar tells you where it wants to go.

Where it belongs.

How much.

When.

And how.

It also tells you where it is right now and exactly how to access it.

And…

I know the idea within the new age / spiritual community is that you are the one telling the money what to do.

That you decide and it moves for you.

That you are in charge of the money.

But my experience is that it was already decided (just like any creation of mine) and I’m either a clean vessel for it to move seamlessly to, from, and through,

or I’m not.

I have never once told my money or my art what to do.

And I don’t have personal judgements as to what comes through me or how much.

Obviously.

I have never decided THIS IS WHAT I’M GOING TO CREATE!!!! THIS IS HOW MUCH I’M GOING TO MAKE!!!!

I have simply been told or shown what is ‘ready’ to be ‘created’ and that is what I fucking ‘create’.

On the spot.

But it was already ‘decided’ aka in full form when I saw it / felt it / knew it.

I was just tapped in and I filled it in.

Like I’m supposed to be and do.

But it wasn’t me that created it.

It was me that honoured what already was / is by bringing it into form.

(Listen and obey)

In that sense,

it’s not about me personally.

And…

it’s also a deeply personal experience.

Because I get the lived experience and ultimate pleasure of doing exactly what I’m told to do,

exactly when and how I’m told to do it,

with nothing in the way.

And nothing on this planet tops that.

And so…

Money, like my art, isn’t about me.

And both are sourced from ME aka the unseen.

And I’m either a clean and clear channel for whatever already is and wants to come through me,

or I’m not.

And if I’m not,

my work is to clear that channel.

From now until infinity.

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Submit And Frame (An Essay)

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‘Submit’ and ‘frame’ aren’t terms I often use in my pieces (that’s Sanna’s language), but I’m going to use both because they are perfect for me to explain how IT works.

Most people want the thing (whatever it is) without actually having to submit to themselves.

Moment-by-moment.

Not just once or once in a while.

That’s why they do / try all the things to ‘get’ the thing EXCEPT the only thing that works.

They’ll try everything BUT that.

Well…

that’s not even accurate.

You can’t ‘try’ to submit.

You either do or you don’t.

And most people don’t because it’s wild as fuck and the ‘noise’ is too much to withstand.

They want the comfort of the known while craving the unknown and then curse the gods for what they can’t ‘get’.

And…

Your current and forevermore work is to erect yourself enough to frame every aspect of yourself and your life so that each piece is clean and truly sourced from you.

From truth;

not compensation.

And most people won’t do that.

Many don’t even care to do that.

But if you’re hungry for the potent purity that is YOU,

the only way to ‘get’ IT,

is to submit.

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The $1700 Edge (One Minute Clip)

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Watch the captioned video above or listen to the downloadable link below.

TRANSCRIPT

Her: “I’m testing the boundaries at the moment. I’m working with another teacher who you know, and just before I made an offer on this MasterClass, I had a session with her, and she had tested me and said, “Okay. Well, what do you feel comfortable offering?” kind of thing, and I felt like I handled it quite well. But I really struggled when it came to yours because there was nobody holding my hand, but I pushed myself with it as well. You were like, “Offer what’s true.” and I sat there with it and then I felt for my edges and I got to this point and I was like, “Oh, my God. I’m gonna do this thing on top of this other thing. I just did that and then I’m gonna do this”. And I was like but this is the only thing that feels right. Like I can’t, I couldn’t offer you anything else. There was nothing else I could give you that would be true. And I was just like okay, this is where I gotta go.”

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Obliteration Dance (An Essay)

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I chose him precisely because of the density.

The grit.

For the perceived dysfunction that would highlight my own so I could erect what had long been limp.

I used him to purify myself.

To be stripped even further.

To stay until nothing was left.

From the outside, it looked insane.

And to my human, it felt like hell.

But obliteration was what I was after.

Why else would I have danced right there.

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Surrender vs Submission (An Essay)

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In his brilliant work (The Untethered Soul, Living Untethered, The Michael Singer Podcast), Michael Singer uses the word ‘surrender’ (a lot) for what is actually full submission (aka ‘going blind’, as he noted so accurately).

But words are just words.

It’s the energy that speaks.

And his energy speaks volumes.

Typically when others speak and write of surrender, I cringe a little because you can feel the powerlessness in it.

They’re expressing from a passive / hopeful state.

It’s a giving up.

A handing over.

A feeling of defeat.

At times it’s even manipulative.

It’s: ‘I’ll do this so I can get that.”

It’s pretending not to care while caring very much.

It’s pretending to let go while waiting for it to come.

The energy of surrender is powerless.

The energy of submission however…

is PURE. FUCKING. POWER.

It’s actively remaining still.

It’s fully engaged.

It’s a deeply felt KNOWing.

Even when it appears like nothing is ‘happening’.

Existing wide awake and never moving IS the happening.

Submission is being erect / intact / discerning.

Which is the opposite of surrender.

It’s actually never surrendering.

It’s never deviating from one’s Self.

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Diving In Unobstructed (An Essay)

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The thing about being energetically erect and intact (one’s natural state), and not playing (making moves) unless and until it’s still, is that it perfectly fucks with whatever matter I’m currently holding on to.

The exact shit that’s here to be burned by the fire of ME.

It also perfectly fucks with the shit of whoever I’m playing with.

If there are any strings of attachment (hoping / waiting / needing / trying / expecting / victimizing / or whatever other bullshit that needs to go), I don’t touch it.

Because it’s an energetic turn off.

But if I feel turned on despite and because of the matter, it means that the shit is ready to get fucked up and I’m the bitch to do it.

Ultimately though, I play where it’s clear.

Where I sense no limits, no restrictions, no actual end in sight.

Just a wide open space to dive into unobstructed.

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He Moves With Me Seamlessly (An Essay)

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He reminds me of a Leonard Cohen quote.

“You go your way. I’ll go your way, too.”

He moves with me seamlessly.

Effortlessly.

With nothing in between.

A dance so quiet, so tender, so natural, so close.

So light.

So pure.

So empty.

So free.

Little is spoken.

Yet everything is said.

“Mine.”

“Yours.”

Here we are.

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Dripping Like Honey (An Essay)

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he joked that i’m grooming him to be my submissive

which i loved

because although i’m not doing anything but being me

free of an agenda

and no requirements of another

(just a fine attunement to what turns me on and an unwillingness to play elsewhere)

the natural consequence of that for someone who is open to

and turned on by

my natural way of being

is submission (my heaven)

which feels as delicious to my system as it does to theirs

and…

from the very first scene

i was dripping like honey

from the energy of us

it was potent and true

it was pure and uncontrived

the most erotic dance in the world

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